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I often wondered if the artists had spent much time in the economic centre of the United Arab Emirates.Instead, projecting a distorted image, removed and re-blogged, via a visual meme of astronomical 21st wealth set to a backdrop of ancient tradition; a future-world dystopia of extreme incongruity that Gulf artists – Fatima Al Qadiri, Sophia Al Maria, Khalid Al Gharaballi –promoted and popularised.Going beyond and becoming sound, Ferraro’s Mall of the Emirates, Dubai Mall and Ibn Battuta: these are just three impressions of almost 70 shopping centres of the UAE city where I spent days wandering and watching, listening and recording the sound of hyper-capital made material, Zizek’s consumerism taken to its logical consequence.Those experiences bleed into one another, my memory of them becoming as gauzy as the haze of an afternoon glimpsed through the front window of an unmanned train, light reflected and refracted on skyscrapers in Business Bay; oily glass spires caked with dust from up close, becoming a knife-like golden-brown huddle from a distance. A Lebanese insurance broker, sweaty under his blazer, tie loosened, he breaks my daydream with words set apart from the incremental cut-and-paste station announcements.This is Mall of the Emirates, where shopping “is just the beginning”, a pre-recorded call to prayer fracturing the choir of commerce at intervals.

Faster shipping methods may be available; just upgrade during checkout. The Canon EOS C100 EF Cinema Camera (Body Only) inherits the design concept of the EOS C300, which put DSLR quality video in a groundbreaking form factor with the key features of a more traditional video camera.In a moving range, the researchers were able to calculate that between 6.4% and 7.9% of sharks of all species are killed annually.To put that range in perspective, researchers analyzed life data from 62 shark species and found that only 4.9% of sharks can be killed each year to maintain population stability.“There’ll be more to inspire you soon,” announces a powder blue plywood partition, a dull assurance obscuring the mysterious “work in progress” behind it. ’ It's a pertinent question for this self-initiated tour of the Dubai shopping mall circuit, the answer becoming more abstracted the longer I look.An image of paint tins arranged in a circle shrouds it further, seven circles of pastel and a paintbrush ready to fulfil undiscovered desires; a muse for the money you’re willing to pay for it. Inspired by Adam Harper’s ‘Virtual Plaza’, I wanted to experience vaporwave’s uncanny valley of commerce at its most refined, beyond the flatscreen hallucinations of James Ferraro’s ‘Far Side Virtual’, INTERNET CLUB’s . That’s a written promise projected, I can’t remember where exactly, but somewhere between the screen-simulation of a fireplace in an imitation log cabin and my view of women in abayas with their kids, in the snow of Ski Dubai, a manmade metal and crushed-ice ski slope reading “DO SOMETHING DIFFERENT” above them.

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